Contemporary

06 Perugia 02

Social Journal 6

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Arriverderci, Francesco Talo [justified_image_grid ng_gallery=42 ng_lightbox_gallery=yes ng_description=yes] John Cabot University Student Center Opening [justified_image_grid ng_gallery=38 ng_lightbox_gallery=yes ng_description=yes] Perugia International Film Festival Preview [justified_image_grid ng_gallery=41 ng_lightbox_gallery=yes ng_description=yes] Radicati paintings on display in Rome [justified_image_grid ng_gallery=40 ng_lightbox_gallery=yes ng_description=yes] IAF and ARPA [justified_image_grid ng_gallery=39 ng_lightbox_gallery=yes ng_description=yes]

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NYC Welcomes Natalia Quintavalle in the Consul General’s Office: An Interview with Italian Journal

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The first woman to be appointed as Italian Consul General in New York, Minister Plenipotentiary Natalia Quintavalle took her seat at the Park Avenue Consulate in September 2011. The prestigious assignment is only the last of a series of important achievements in her diplomatic career, which has seen her actively work in the defense of human rights and in the promotion of Italian culture and interests in the world.

Mernini Untitled 2011

Notes on New Italian Art

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by Gianluca MARZIANI

Italian Contemporary Art: Three words suggesting such a tangle of opposing considerations, cultural and commercial developments and widespread interests that it is quite difficult to have a comprehensive picture of it. For historical reasons and recent twisted events, the Italian art world embodies an anomalous reality, both for its well-acknowledged qualities and its congenital faults. We have a great tradition of art that the world much appreciates – this goes without saying. From Giotto to Mario Schifano, enviable talents and universal geniuses have come one after the other, producing new expressive modes and groundbreaking innovations.

L'Italia In Croce

Two Remarkable Shows, NY

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by Amanda Romero

There are 89 Italian Cultural Institutes in the world – and they all participated in “Venice Biennale In The World,” a project led by renowned Italian art critic Vittorio Sgarbi to promote Italian artists internationally. In collaboration with museums, universities, organizations and the Ministry of Foreign Affairs, prominent art critics and scholars served as the judges for the 217 Italian artists nominated to show around the world. These artists’ works were also included in a video documentary presented at the 2012 Venice Biennale.

Performance Art

Reading Contemporary Works in Two Examples

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by Genny DI BERT

Quella che osserviamo è la fotografa di una scena, di un momento d’espressione artistica in cui l’ambiente e l’uomo interagiscono, che viene, durante la realizzazione, con uno “scatto” resa opera d’arte apparentemente bidimensionale. L’immagine riprodotta valorizza l’irripetibilità dell’azione ed ogni scena diventa opera d’arte unica. La rappresentazione, come la realtà osservata e dipinta, viene studiata, immaginata, riprodotta attraverso l’occhio fotografico attento a cogliere l’istante creativo.

Bonvicini Light Me Black

Art, Visual Vehicle of Energy: Italian Journal interviews 2011 Venice Biennale Visual Arts Director Bice Curiger

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by Laura GIACALONE


One of the world’s most important forums for the dissemination and illumination of current developments in international art, La Biennale di Venezia can boast a well-reputed personality at the helm. Appointed Director of the Visual Arts sector for the 54th International Art Exhibition (2011), Bice Curiger (pictured) is an art historian, critic and curator of international exhibitions. Her curatorial activity at Kunsthaus Zurich parallels her important work in the publishing sector. In 1984, she co-founded the prestigious art magazine Parkett, of which she is editor-in-chief. She has been publishing director of London Tate Gallery’s magazine Tate etc since 2004, and is also the author of various publications and catalogues of contemporary art. Her insight into contemporary art surely adds value to an exhibition that, once again, is bound to consolidate its success.

Monet The Doge's Palace

Venice: Exhibitionist City, Then and Now

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by Veronica Maria WHITE

In 1948, Peggy Guggenheim exhibited her collection of avant garde paintings and sculptures at the Venice Biennale. Among the 73 artists featured were Picasso, Ernst, Kandinsky, Pollock and Rothko. The show was revolutionary in its presentation of Cubist, Surrealist and Abstract works to the general European public, as well as to contemporary Italian artists. Soon after the show, Peggy settled in Palazzo Venier dei Leoni, where from 1951 onward her collection opened its doors to visitors. The heiress’ choice of Venice as a home and showcase for her works is significant, for she had already experienced the contemporary art scene in Paris, London and New York. Located in a Renaissance palazzo on the Grand Canal, the Peggy Guggenheim collection in fact highlights Venice’s dual identity as a historic maritime city and a protagonist in artistic innovation.

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