2012 marks the 500th anniversary of the death of Amerigo Vespucci – the Italian navigator whom the Western continents are named after. So, how did one man’s voyage across the world culminate to “America?” by Erika BLOCK Born on March 9, 1454 in Florence, Italy, Amerigo began his love affair with the uncharted early in […]
It doesn’t happen often, especially in Italian provincial towns, that innovative projects are discovered that can restore as well as value the cultural history of a specific place.
The history of mapmaking is marked by natural curiosity and imperial ambition. It’s an uneasy convergence, an innately optimistic search but one directly tied to acquisitive intent. The map represents territory to conquer, treasure to discover, markets to capitalize. Once considered royal property, maps were kept secret, even burned to avoid discovery by enemies.
by Claudia PALMIRA ACUNTO
On the thrilling occasion of the premiere of Woody Allen’s To Rome with Love, the words Italy and film have been seen together once again like lovers reunited.
On International Women’s Day 2012, the City of Rome bestowed the Venere Award on 20 leading women whose contributions across social, artistic and political spheres improve the City’s culture, health and wellness. Among them, Ludovica Rossi Purini, President of Compagnia per la Musica and frequent collaborator with the Italian Academy Foundation, received recognition for her dedication to music.
With a politically and socially active career, Federica Olivares has made an influential figure in the American and Italian cultural spheres. Olivares was most recently appointed as a cultural advisor to the Minister of Foreign Affairs, Giulio Terzi.
The Italian Academy Foundation announced that Kim Brizzolara has joined its board of directors. Ms. Brizzolara is a feature and documentary film producer and serves as an advisor to several non-profit organizations. She is executive vice chair of the Hamptons International Film Festival, serves on the Board of the We are Family Foundation, and Creative Visions, and is a member of the Women’s Leadership Board at the School of Government at Harvard.
by William HOPE
Italian cinema experienced several golden eras during the course of the 20th century, periods during which the artistic vision and expertise of Italian film-makers and technicians were unparalleled. The opulent mise-en-scène of early works such as Giovanni Pastrone’s Cabiria (1914), the stark stylistic originality of the neorealist era from the mid-1940s onwards, and the lavish cinematography of Oscar-winning works such as Giuseppe Tornatore’s Nuovo Cinema Paradiso (1989) and Gabriele Salvatores’s Mediterraneo (1991) – these latter films revisiting, sometimes nostalgically, the community life and interpersonal solidarity of former generations –consolidated Italy’s position as an epicentre of cinematic innovation.
by Laura GIACALONE
Established auteurs and emerging filmmakers alike offer their own perspectives on contemporary Italy at “Open Roads: New Italian Cinema”, the leading North American showcase for contemporary Italian cinema, organized by the Film Society of Lincoln Center together with Istituto Luce-Cinecittà and Filmitalia. This year’s edition (June 8-14, 2012) brought together directors (1) from different backgrounds and ages, who embody different ideas of cinema and contribute to piecing together a multi-faceted, complex picture of today’s Italy.
by Laura GIACALONE
Located 10 miles from the center of Rome in a parkland estate extending over 99 acres, Cinecittà is the hub of Italian Cinema as well as the largest filmmaking facility in Europe. Since its foundation in 1937, it has hosted more than 3,000 films, which have made the history of cinema – from classics like Quo Vadis? (1951), Ben Hur (1959), Cleopatra (1863) and La dolce vita (1960) to more recent productions, such as The Name of the Rose (1986), The Adventures of Baron Munchausen (1988), The Godfather Part III (1990), The English Patient (1996), Gangs of New York (2002), Ocean’s Twelve (2004), The Passion of the Christ (2004) and the BBC/HBO series Rome (2004-2007).