Light Upon…Umbria
by Mauro BENEDETTI Astride the verdant slopes near where Saint Francis made his sanctuary, a medieval monastery is transformed for travelers seeking respite, healing. . . and a locally grown, homemade meal.
Italian Journal / Columns, Photography, Risorgimento Reflected, Volume 20. Number V. 2011 / Mauro Benedetti /
by Mauro BENEDETTI Astride the verdant slopes near where Saint Francis made his sanctuary, a medieval monastery is transformed for travelers seeking respite, healing. . . and a locally grown, homemade meal.
Italian Journal / Columns, Notable, Risorgimento Reflected, Volume 20. Number V. 2011 /
In the packed concert hall of Teatro Sociale in the ancient medieval quarter of Bergamo, a young Italian visual artist was the first recipient of a new award: The New York Italian Academy Foundation Award, presented by the International Cultural Festival of Bergamo in early April, 2011.
Italian Journal / Columns, Literature, Risorgimento Reflected, Volume 20. Number V. 2011 / Laura Giacalone /
by Laura GIACALONE
A review of Amara Lakhous’ award-winning novel “Clash of Civilizations over an Elevator in Piazza Vittorio” (2006).
Italian Journal / Columns, Face File, Risorgimento Reflected, Volume 20. Number V. 2011 / Editorial Interns /
by Nona TEPPER
On April 15th, at Carnegie Hall, the crowd listening to Othello shouted repeatedly, “Bravi!”, and Riccardo Muti took a deep bow. This certainly wasn’t the first time Muti, the current Musical Director of the Chicago Symphony Orchestra, has received a standing ovation, and surely it won’t be the last. Once this Naples-born conductor puts down his baton, listeners inevitably rise to their feet, moved by the emotional force of his music, clapping without inhibition for more.
Italian Journal / Columns, Design Save Italy, Photography, Volume 20. Number IV. 2011 / Mauro Benedetti /
by Mauro BENEDETTI In the heart of the Byzantine-adorned city; banners of red and green reflect in the melting ice of the after-hours Rialto fish market. And amidst the splendor of the Basilica of San Marco, a wall of marble inlays with the Tetrarchs sculpture at its base forms an ageless backdrop.
Italian Journal / Columns, Design Save Italy, Notable /
Milan-native and expert archeologist Gionata Rizzi is looking to conserve a small part of New York City’s young history.
Italian Journal / Columns, Design Save Italy, Notable, Volume 20. Number IV. 2011 /
Enchanted by the deep shadows and brilliant light of Caravaggio’s timeless work, Bill Viola seeks to retain a similar aura in his own art.
Italian Journal / Columns, Design Save Italy, Notable, Volume 20. Number IV. 2011 /
by Ambassador Giulio Terzi
I am delighted to be here with you again today and honored by your invitation, a most welcome sign of your great friendship. The last time I had the pleasure of being with you – as Permanent Representative to the United Nations – I talked about international security issues. Over the last year and a half, I have somehow changed my perspective – but not too much: in Washington, diplomatic work is at once global and bilateral too. Today I would like to address a topic which has both a global scope, as it relates to the world’s monetary system, and a “bilateral” one which refers to relations between the EU and the US: I am referring to the stability of the euro-zone.
Italian Journal / Columns, Design Save Italy, Literature, Volume 20. Number IV. 2011 / Laura Giacalone /
by Laura GIACALONE
Please don’t retouch my wrinkles” – said the great Italian actress Anna Magnani, a muse for Neorealist maestro Roberto Rossellini (Rome, Open City, 1945), while instructing her make-up artist not to conceal the lines on her face – “Leave them all there, it took me so long to earn them.” Many years have passed since then, and women’s concerns and ambitions seem to have changed a lot.
Italian Journal / Columns, Design Save Italy, Face File, Volume 20. Number IV. 2011 / Editorial Interns /
by Editorial INTERNS
Appearing on the red carpet at the 2010 International Rome Film Festival alongside renowned director Martin Scorsese and CEO of Gucci Patrizio di Marco, Gucci’s Creative Director Frida Giannini has had an impact on the world that reaches far beyond the realm of fashion.